15 October − 2 November 2018
Kino Šiška, Trg prekomorskih brigad 3, 1000 Ljubljana
Opening: 15. 10. 2018 at 7 pm / Kamera
Curators: Lara Plavčak, Miha Kelemina
In his first Slovenian solo exhibition, Berlin-based artist Max Grau presents a collection of new works, old works and fragments, assembled into an installation that was specifically created for Kino Šiška. The free-floating display structure immerses the viewer into a non-hierarchical associative space populated with photos, drawings, emails, diary entries, love letters to friends and other artists. Operating at the intersection of visual arts and literature, Grau’s often text-based practice examines the politics of friendship, contemporary modes of communication and the emotional texture of everyday life.
About the exhibition
Berlin-based artist Max Grau operates at the intersection of visual arts and literature. His often text-based practice uses first-person narrative, intimate anecdotes, theory fragments and facts copied from news websites to trace the emotional texture of everyday life where the personal and the structural overlaps. The installation at Kino Šiška titled Love & Work [floating] combines texts, clumsy drawings, washed out photographs, all done on regular A4 printing paper, hanging on silver strings from helium filled balloons.
In a series of letters to personal friends as well as artists that he admires (sometimes both at the sometime), Grau tries to formulate friendship as an act of love that requires constant work. Admiration as a necessity for artistic production. The letters are illustrated by drawings or photos. Some of them serve as an invitation to the viewer, some try to create an atmosphere, some are small secrets, shared between author and author.
Another group of drawings on display show pages from a calendar that Grau keeps to trace the reoccurring full days he spends in bed. Executed with watery brush strokes, these colourful glimpses leave it open to the viewers whether these calendar entries were caused by contemporary exhaustion, bohemian debauchery or mental health issues.
In a third series, shiny silver photographs are combined with diary entries. Sprayed over with chrome paint, these images taken from an ongoing archive the artist keeps (snapshots, self-portraits, found images) shimmer between opaque monochrome and revealing their visual information in relation to the viewer’s standpoint. Printed on the backside is a list of events occurring in the world and in the artist’s life. Some of them happened on the same day.
Putting an artwork on display or publishing a text is always an act of letting go of one’s work and ideas that are later on contextualized and re-contextualized by the public. All the works on display descend from open ended series, more sprawling than conceptually tight. The viewers are invited to move through free floating fragments, glimpses, bits and pieces, causing slight air twirls that will subtly rearrange the installation over time, so ongoing fragile connections between the individual pieces are established.
Anyone with further interest in reading more than just a fragment of Grau’s texts is invited to send an email to: email@example.com and receive a PDF with all the full texts in reply.
Max Grau (1988) studied Fine Arts in Saarbrücken, Berlin and Los Angeles. His work uses a variety of media such as video, text, email, performance, photography, drawing, sound and printed matter. Since 2016, he has been involved in *foundationClass, an educational project located at Kunsthochschule Weissensee in Berlin that tries to support refugee artists and art students to gain access to the German art school system. His work has been shown internationally, for example at Galerie La Croix, Los Angeles, Kunstmuseum Wolfsburg, Galerie Lily Robert, Paris, Pet Projects, Perth and Digital Art Centre, Taipei. His first book ›You See I’ve Always Wanted Things To Be Beautiful‹ was published by Hammann von Mier & Ruine München in February 2018.
Production: SCCA-Ljubljana and Kino Šiška
The exhibition is supported by Municipality of Ljubljana – Department for Culture and Goethe-Institut Slowenien.
Artist’s residency is supported by JSKD.